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Mirror’s Edge Free Download GAMESPACK.NET Just a few years ago Electronic Arts wasn’t exactly known for taking chances on fresh ideas with new intellectual properties. This holiday season has already seen one stellar release from the mega publisher in the form of Dead Space and now we have the company’s second attempt at establishing a new videogame franchise. It comes to us in the form of Mirror’s Edge. Mirror’s tells the story of Faith, a runner in an unnamed city almost completely devoid of personality thanks to the overbearing totalitarian government that rules the region. Faith’s job is to deliver important pieces of information to an underground network who still live with a modicum of freedom. She uses her considerable acrobatic abilities to outrun, out-leap, and out-swing “Blues” (cops). Throughout the game players learn that Faith’s sister, Kate, has been wrongly accused of murder. Faith must clear her name. The story isn’t quite as involving as it reads. Characters are fairly uninteresting with few emotional ties to the player. It doesn’t help that all of the cutscenes are presented in a style that’s reminiscent of Esurance commercials which instantly hurt my ability to enjoy them. TOP/BEST ADULT VIDEO GAMES IN UNITED STATES OF AMERICA (USA)

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Luckily the story doesn’t last long as the game clocks in at less than six hours and even less on your second time through. Thankfully the world itself is interesting to roam through, at least for awhile. After some time you realize that the architecture of rooms and rooftops starts to look redundant, but the art style and overly simplistic color scheme help to accentuate the idea of an over-bearing government. So while the art style helps to up the presentation values, the architecture of the game space is entirely too limiting for the style of game that Mirror’s Edge should be. Running and leaping off of rooftops and sliding under pipes is the star of the game. No doubt about it. So why not open up the entire city for players to roam around in? As it is Mirror’s feels entirely too constricted with only a few branching pathways to reach the same end goal. Getting to that final point is where Mirror’s Edge shines the brightest. When DICE announced back in the summer of 2007 that they were working on Mirror’s Edge, we were immediately drawn to the project.

Immerse yourself.

The first foray of the Swedish studio into games with a plot –remember that they are responsible for the Battlefield saga- seemed like a very promising aspect to us; and, of course, we could not ignore the atypical nature of his proposal. Finally, with the video game in hand at the end of 2008, we find exactly what Electronic Arts and the Nordic team promised, a brave, risky new IP with undeniable charisma . A shooter that even those who don’t like shooters could enjoy, and a product with impressive production values ​​that just took a little longer to become a must-have on Xbox 360 and PlayStation 3. Today it is time to talk about the PC version , identical in content but with many changes and improvements in the technological aspect. DICE demonstrates its extensive experience in compatible with a very careful port that contradicts the terrible tradition of this class of products. When we conducted our interview with the producer of Mirror’s Edge, we couldn’t help but ask him if the gender of its protagonist had anything to do with an action game as atypical as this one. Manuel Llanes’s answer was affirmative, and the EA member maintained that the heroine of the title offers exactly the doses of strength and at the same time vulnerability that the video game needs. Secret Summer UNCENSORED

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The truth is that the people of DICE have been completely right, and it is that Faith precisely exhibits virtues and characteristics that are very unusual in the genre, and that make her an interesting, relatively deep and three-dimensional character. The story of Mirror’s Edge in general, and that of Faith in particular, is set in a future not too far away in time, but quite close to the usual movie and comic book patterns. In this utopian society, the crime that gripped the city has been struck down, but it has been done in such a tyrannical and violent way that a society has been created that is only calm and peaceful on its surface. The only ones who dare to violate order are the Runners , those in charge of transmitting private messages across the city’s rooftops without police interference, and avoiding government policies that curtail the most basic rights of privacy. Faith is one of these runners, and in an apparently routine job she ends up facing a conspiracy to attribute a murder to someone innocent, and all this related to a direct relative of the protagonist whom we will meet along the way.

Challenge yourself.

There is nothing too flashy in the title script, and the story ends up becoming a fairly routine plot line, which gives the feeling that all this fascinating context of the “runners” could have been explored in a significantly more interesting way. The development of the campaign is narrated to us with cinematic scenes between phase and phase, and also with some encounters with other NPCs with whom we will find within the levels themselves. The videos that separate one chapter from another are made with a somewhat static comic style that is very successful in terms of aesthetics, but somewhat slow in its presentation. These scenes denote the inspiration that Mirrors’s Edge draws from graphic novels and animated series. Like its heroine, Faith, Mirror’s Edge tries to hurdle some significant obstacles, but unlike Faith, it can’t always make the leap. No doubt, this fascinating action platformer possesses its share of innovations, from a first-person perspective to a clean and crisp visual style, yet it looks to the past more than you may initially notice. Embr

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This is a modern-day iteration of an old-fashioned platformer, in which you’re meant to play and replay sequences of jumps, grabs, and slides until you get them perfect, or at least perfect enough to continue. But unlike its ancestors, Mirror’s Edge is more about speed and momentum, and when you can connect your moves in a flawless stream of silky movement, it’s eminently thrilling and satisfying. Mirror’s Edge has a tendency to trip over its own feet, keeping you slipping and sliding blissfully along, only to have a tedious jumping puzzle or hazy objective put the brakes on. Leaderboard chasers looking to set a speedrun record will find Mirror’s Edge to be pure gold. Others will give up, alienated by the inherent trial and error of the game’s basic design. At the very least, there’s nothing quite like it, and it deserves a cautious look by anyone who appreciates games that hew their own path. Faith is a runner, in more ways than one. In the oppressed, fictitious society of Mirror’s Edge, runners are an underground network of couriers, carrying sensitive information and documents from sender to receiver.

Red Zone.

The content of these messages is never clear, nor does it matter much; rather, the story’s conflict revolves around Faith’s sister, a cop who is framed for the murder of a mayoral candidate promising to bring change to the totalitarian government and bring hope to the runners living on the fringe. Soon, Faith is running for a different reason: to uncover the conspiracy at the heart of the murder and clear her sister’s name. The story is straightforward, but it’s interesting enough to keep you involved, and though it ends with a sequel-hinting cliffhanger, it wraps things up enough to feel fulfilling nonetheless. More intriguingly, the story plays out between missions in stylish animated cutscenes, as well as scenes within the game engine itself, which also look attractive but feature a completely different art style. Both types look good, but the disparity is a little odd. And so you run–across rooftops, through train stations, and along walls. As you run, you pick up speed and are able to string a number of moves together in rapid succession. You can slide under pipes, bound over railings, and leap across impossible-looking chasms, among other techniques.

The most obvious twist in Mirror’s Edge, of course, is that you do all of this from a first-person view, rather than with the typical third-person camera we’ve come to expect. It’s an interesting spin, if not wholly new (Montezuma’s Return for the PC was blazing this trail in 1998), and it has a way of immersing you as you speed toward your destination. Actions like balancing on a narrow beam, sliding under a ledge at top speed, and tumbling when you land a long jump are fun to execute and look neat, but it may also make you wonder how much fun it would be to see what Faith looks like when she pulls off these neat stunts, which isn’t possible in this game. Nevertheless, Mirror’s Edge excels when you hit that snappy stride, and once you’ve found the best route through a particularly tricky scenario, it’s exhilarating to rush through it without a care to weigh you down. But this doesn’t happen the first time, or even the fifth time, you do it. You will need to experiment and hone your skills, because a simple mistake can send you plunging down onto the street below, or will at very least interrupt your stride. You’re expected to play each level multiple times to learn the routes that best propel you along.

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Which is great the 10th time around but is often an infuriating series of false starts, mistimed jumps, and full stops the first few attempts. If you need a hand, you can hold a button to activate runner vision, which turns the camera toward your destination, but it’s an imprecise solution that sometimes points you toward a short-term objective and other times points you toward your long-term goal. Another inconsistently helpful tool comes directly from the game’s impressive art design. Mirror’s Edge is a game of visual contrasts, in which stark white environments contrast with vivid colors. It looks beautiful and clean, and it’s a great way of demonstrating both the bleakness of an authoritarian society and the unique manner in which a runner would see the world–as an array of landing points and jumping opportunities. Important ramps, doorways, ladders, and other points of interest are painted in a vibrant red, which is an important visual cue in some of the broader levels. However, this element too is delivered inconsistently; in some cases, the red hue may not fade in until you are close to the pole or vaulting point in question, and in other cases, Mirror’s Edge expects you to figure things out without this visual assistance. Gas Station Simulator Switch NSP

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