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SATURNALIA Free Download GAMESPACK.NET The exchange of gifts served to appease him and the other underworld deities who during those days were thought to be wandering among men (Pluto and Proserpina). The basic narrative premises of Saturnaliaare clear: it is 1989, we are in Gravoi, a fictional village in Sardinia (whose main landmarks are inspired by real places) and we play the role of Anita, a young geologist who is evaluating the viability of the local mine and has a clandestine love affair with the sexton of the village church. She lives in a bed & breakfast in the old family villa owned by an elderly lady, Tecla Murgia, who is a bit eccentric, tells strange stories and makes a good price. There is space in the manor, and Anita shares a flat with Paul, a photojournalist in search of his origins and his parents and Sergio, a brilliant and tormented boy born in Gravoi and returned to Sardinia to look after his sick father. Both will become playable characters in the course of the adventure, together with Claudia, It seems that the saturnalia were born to celebrate the god Saturn and his happy kingdom by now waned, bringer of abundance in the crops without the need to sweat on the fields, god who appeared in the form of a red mask during the party, entrusted to a “princes”, that is to one of the revelers elected for the occasion. TOP/BEST ADULT VIDEO GAMES IN UNITED STATES OF AMERICA (USA)

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The exchange of gifts served to appease him and the other underworld deities who during those days were thought to be wandering among men (Pluto and Proserpina). it seems that the Romans enjoyed themselves not a little, between orgiastic parties and wild, cheerful and transgressive activities) and the fact that many, in the periods preceding the event, devoted more energy to the organization of the same than to work. Saturnalia’s good-not-great survival horror gameplay doesn’t quite live up to the same standard. In terms of mechanics, it largely involves roaming the town, exploring its various nooks and crannies, and picking up useful items, all while evading a monster. Certain key item pickups allow the characters to enter new areas, which in turn reveal more options and story beats. Everything works pretty well overall, and a few evolutions of the monstrous presence shake things up a bit, but the gameplay doesn’t deviate much from start to finish, sticking mostly to the same combination of finding items and figuring out how and where to use them. The characters add a little more spice to the affair without feeling like the usual horror film-derived archetypes, each with a story and ability unique to them. This makes them distinct not only in terms of personality, but gives them different threads to follow as things progress. Paul is in search of information about his parents, equipped with a flash-capable camera to take snaps of things throughout the world (and maybe stun a monster or two). Sergio has a tank of a satellite phone that can be used to switch characters anywhere in the world rather than at static landlines.

The open structure creates an interesting gameplay

It seems that the saturnalia were born to celebrate the god Saturn and his happy kingdom by now waned, bringer of abundance in the crops without the need to sweat on the fields, god who appeared in the form of a red mask during the party, entrusted to a “princes”, that is to one of the revelers elected for the occasion. The exchange of gifts served to appease him and the other underworld deities who during those days were thought to be wandering among men (Pluto and Proserpina). it seems that the Romans enjoyed themselves not a little, between orgiastic parties and wild, cheerful and transgressive activities) and the fact that many, in the periods preceding the event, devoted more energy to the organization of the same than to work. It seems that the saturnalia were born to celebrate the god Saturn and his happy kingdom by now waned, bringer of abundance in the crops without the need to sweat on the fields, god who appeared in the form of a red mask during the party, entrusted to a “princes”, that is to one of the revelers elected for the occasion. The exchange of gifts served to appease him and the other underworld deities who during those days were thought to be wandering among men (Pluto and Proserpina). in the periods preceding the event, they devoted more effort to organizing it than to work. Gotham Knights

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It seems that the saturnalia were born to celebrate the god Saturn and his happy kingdom by now waned, bringer of abundance in the crops without the need to sweat on the fields, god who appeared in the form of a red mask during the party, entrusted to a “princes”, that is to one of the revelers elected for the occasion. The exchange of gifts served to appease him and the other underworld deities who during those days were thought to be wandering among men (Pluto and Proserpina). in the periods preceding the event, they devoted more effort to organizing it than to work. It seems that the saturnalia were born to celebrate the god Saturn and his happy kingdom by now waned, bringer of abundance in the crops without the need to sweat on the fields, god who appeared in the form of a red mask during the party, entrusted to a “princes”, that is to one of the revelers elected for the occasion. In Roman times the Saturnalialasted about seven days and, in addition to being characterized by large banquets, exchange of gifts, shows and a general atmosphere that today we would call carnival, they saw the temporary overthrow of the social order, with the slaves who, wearing the pilleo, that is the cap of freedmen, they could behave like free men at the tables of the masters, obtaining the right to express themselves as they wanted. Despite the apparently relaxed climate, it was an essentially religious festival, which celebrated the arrival of winter (it took place at the turn of the winter solstice, between 17 and 23 December) and which exorcised many of the fears of the men of the time, much to provide a specific greeting among the participants: “I Saturnalia”.

Survival horror in Saturnalia

Seneca speaks of a city that “sudat” during the holiday period, complaining about the debauchery of the customs (after the religious rites of the first day, it seems that the Romans had a lot of fun, between orgiastic parties and wild, cheerful and transgressive activities) and the fact that many, in the periods preceding the event, dedicated more forces to the organization of the same than to work. bearer of abundance in crops without the need to sweat in the fields, god who appeared in the form of a red mask during the feast, entrusted to a “princes”, that is to say to one of the revelers elected for the occasion. The exchange of gifts served to appease him and the other underworld deities who during those days were thought to be wandering among men (Pluto and Proserpina). bearer of abundance in crops without the need to sweat in the fields, god who appeared in the form of a red mask during the feast, entrusted to a “princes”, that is to say to one of the revelers elected for the occasion. The exchange of gifts served to appease him and the other underworld deities who during those days were thought to be wandering among men (Pluto and Proserpina). GORN

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What does all this have to do with the Saturnalia review ? You may be wondering. Obviously our goal is not to write a page on a fragment of the culture of ancient Rome, but to give as many references as possible to understand the work of Santa Ragione , which intertwines with great historical wisdom, myth and social vision, transporting us into a Deep and mysterious Sardinia, where ancient rituals mix with modern themes such as labor exploitation and the fight against patriarchy, but also with other more classic ones concerning the family and interpersonal relationships.THE BLACK SARDINIA OF SATURNALIA
Sardinia, 1989 . Forget the classic images that are shot at us by the media or from false memories of our mind, with sunny and bright beaches, typical villages, hospitable inhabitants and the pleasure of lying on the golden beach while we swallow a cold beer. The Sardinia of the children of Santa Ragione is the one that strikes the imaginary town of Gravoi during the winter solstice, while in the dark and sinister night the lives, desires and destinies of different people who fight for their lives intertwine.

Fear-tuning Your Experience

There’s ultimately always one conundrum every horror game faces: how do you keep your terror experience from losing its edge once people have experienced your carefully curated scares for the first time. From Resident Evil to PT to Outlast and Condemned, it’s a fundamental flaw that’s undercut the fear of even the biggest horror games. Saturnalia may just have found the solution. When I previewed Saturnalia back in August, I’d approached it with little to no knowledge of its core premise other than it was another horror inspired title. What I played then impressed me, particularly with how it promised to try and solve this fatal issue. I had a couple of minor faults that I hoped would be ironed out come release, which I’m pleased to report they certainly were. Yet, booting up Saturnalia again, 2 months later, I was awe-struck by just how incredibly well designed, thought out and impeccably structured this game truly is. I was just as on edge and nervy by my 6th hour as I was my first, perhaps even more so. Saturnalia has gone from a hotly anticipated game, to one of my favourite horror titles ever.

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Despite them, the four protagonists have something in common: they are deeply linked to Gravoi and yet they all have good reasons to flee from there, especially because they are manifestations of an otherness that is not entirely consistent with the dominant mentality.. What’s more, their link with the place has its roots in the past and with an ancient ritual that took place in the depths of the earth and which holds several secrets that are not exactly edifying. What could go further wrong? The fact that apparently, every thirty years, precisely in the days of the feast of Saint Lucia, a masked infernal creature haunts the streets of the city attracted by lights and sounds and it is not exactly the case to be entertained with her. Of course, leaving the city is not easy, because the country is practically inaccessible during the celebration of the holiday, and our four protagonists have a long night to resolve their unresolved bond with Gravoi, find answers to their questions and escape without looking back .

Having made the necessary premises, how does Saturnalia work ? In a rather intriguing way, to tell the truth, even if the right word would be disturbing, because every element of the game structure serves and generate anxiety and the feeling of being doing something that constantly pushes out of the comfort zone . Basically imagine the game as a modern graphic adventure with investigative board game elements.
At the base of everything is the map of Gravoi, the village that presents a series of fundamental places for the life of the village: the school, the town hall, the church, the mine and so on. These places, in reality, are not just places, but real points of reference for orientation. In Saturnaliathere is no minimap and Gravoi is basically a labyrinth, so we have to rely on our sense of direction and memory, visual and muscular . To help us in the enterprise, each character has his own distinctive ability that can help in the exploration phase (or in the few moments of action) and, a real-time pathfinding system that allows you to ask the protagonists to show us the direction towards the desired place after consulting one of the maps in the alleys. It’s a bold claim, I know, but reach with me into the depths of this disturbed Italian town and discover the nightmarish truth for yourself. Gold Rush The Game

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