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Exanima Free Download GAMESPACK.NET Each week Marsh Davies lurches drunkenly through the dank cloisters of Early Access and brings back any stories he can find and/or spasms like a misfiring physics object caught in a doorway. This week he wobbles and flails in the low-fantasy RPG Exanima, a smaller standalone “prelude” to the Kickstarted open world game Sui Generis. Exanima isn’t like other RPGs, the Steam store page tells you with some insistence. It’s true for several reasons, but the most obvious is its fully physics-modelled combat which renders close quarters engagements as tense, tactical affairs conducted between two or more appallingly drunk people. Every collision has a physical effect, as subtle or extreme as the speed with which it occurs, and so combat is about caution and timing, dodging incoming swings and finding the time to wind up, directing your weapon in a sweep to connect with your opponent’s most vital areas with the most momentum possible. At least, it’s about these things inasmuch as these things are even possible while piloting someone with a near-lethal blood-alcohol level. Don’t misunderstand – I like the combat a lot. I like the exact match between the observable impact of a blow and the damage that it does, and I love the circumspection that the sluggish control brings.TOP/BEST ADULT VIDEO GAMES IN UNITED STATES OF AMERICA (USA)

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This said, it isn’t always a good a match for the player’s intent, no more than Gang Beasts’ physics-modelled brawls between jelly-baby-men is an exact martial art. In articulating this cumbersome form you feel like a puppeteer rather than a protagonist, and there are kinks and contradictions to the control scheme which can easily and abruptly end your life without much feeling of culpability in that failure. This, combined with the fact that there is no save system whatsoever, makes for a tough game, something for which the devs are unapologetic and which has encouraged a good deal of cock-waving among early adopting Steam reviewers. (That’s figurative cock-waving, by the way, not physics-enabled – though given that the character creator is unabashed about the existence of female nipples, maybe we can hope to see windmilling in a later patch.) Anyway, given that the game is so uncompromising, I confess that I’ve barely made a dent in it. There are currently three large levels to explore, according to the dev, which will eventually serve as an introduction to another much larger, more open area, as yet unreleased, containing the majority of the game’s content.

Large non-linear main game following early content.

There’s already a separate arena mode, too, in which players can hone their half-cut combat skills. I should probably spend more time there; my woeful attempts at the main game haven’t seen me get much further than the selection of gloomy corridors in which my character awakes. There is a story here, seeded in the environment, but few more elaborate interactions with the world than permitted by the capricious combat system. Character progression is still a feature in development, along with dialogue. What I’ve experienced feels like the bare bones, but even so, Exanima has got its hooks in me, its austere setting and formidable fighting system creating scenes of farce and fear in equal measure. My unnamed character awakes facedown in a grim stone room, lit only by a single burning torch which lies feet from her body. I have chosen an avatar who is a short-arse like myself, but, as I stagger upright, it occurs to me that this is possibly a non-trivial nerf in a physics simulation – just as it is in real life (excepting the field of plane travel, in which I and my burrow-dwelling kind remain distinctly advantaged).New Super Lucky’s Tale Switch NSP

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Can I run as fast as the big boys? My individual footfalls appear to have significant repercussions to my movement, as I discover when I snag an upturned cart with my ankle and fold over myself like a broken Slinky. Will I be able to swing as far in combat with my tiny, feeble arms? I guess I’ll find out. But, given that it’s easy to scrape an elbow along a wall and stumble to a stand-still, perhaps having a sleek form factor does have its advantages in dungeoneering. Score one for the little folk! Movement is primarily controlled by the mouse. You click and hold; depending how far away you cursor is, the faster your character will move in a line towards that point, which you can then drag around to modify the speed or direction (or hold shift to sprint permanently). This is a surprisingly tricky system to manipulate under pressure, wobbling boozily through physics-enabled detritus, even more so because the camera will begin to slew of its own volition as you move. You can click and drag nearby objects too, manipulating them. I discover a good first use of this is opening the door to the chamber in which I’ve awoken. I poke around the adjoining corridors and boxy store-rooms, but find no weapons – which is why, when I open one door to a long, brightly backlit corridor and see a shadow loom larger and larger.

New encounters, items and environments.

I immediately slam it closed. The corridor blinks out of sight and whatever thing was marching down it remains sealed within. It seems these enemies don’t do door handles, luckily. I try a different route, ending in a room with a number of workbenches, and find a weapon only when I bump right into it, or rather the bench it is on, sending myself and the machete tumbling to the floor. The game doesn’t give you any help spotting stuff within the environment – you just have to be eagle-eyed, which I rather like, even if it’s not always clear which objects have interactive purpose and which don’t. Now equipped for battle, I begin to explore more boldly, encountering a gormless looking fellow stalking back and forth across a room of heavy pillars. He doesn’t seem immediately aggressive, so I don’t push my luck, instead choosing to shut him in a store room. Others aren’t quite as amiably stupid: there’s a duo in the adjacent room, one holding a footlong bit of piping and the other a carpentry hammer. Pipe-dude stands inert by a wall, but hammer-lady gives me the stink-eye, turning to face me as I enter the room. We remain still for a moment while I wonder if I can make friends with her. She screams and launches toward me, thrashing at the air with her hammer. I guess not.Spider Man Shattered Dimensions

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I back away and hastily drag-dash my way around her, pulling my character in a stumbling arc down to an open space near the bottom of the screen, where I have enough time to engage combat mode. In combat mode the controls reconfigure so that you can click and swing your weapon – your cursor movement aiding the direction of your blow, the length of the click dictating your commitment to the motion. You can also use WASD to move relative to your cursor point, which is vital for dodging incoming attacks. These two systems seem to me in direct contradiction. You want to be able to keep your cursor fixed, so that the directions WASD references aren’t in constant flux. And yet, combat requires you to swing your cursor back and forth. This may recreate some of the probable disorientation I would feel if I were actually attacked by a hammer-wielding maniac in a dungeon, but the specific confusion feels weird. I’ve never forgotten which way was left because I wanted to punch someone. There are also specific moves, too: a powerful overhead swing is articulated through double-click and hold, and the development schedule says short sharp thrusts will also be jimmied into the combat system at a later date.

Numerous moddable thaumaturgic powers.

I’m not sure all these things work neatly together in concert, but it nonetheless produces a deep system which can be mastered to produce actions of subtle expression – dodging past an enemy while delivering a sweeping blow to their back feels all the more triumphant for being wrought from a complex interplay of separate nuanced inputs, rather than a single button press. I’m not reliably at that stage yet, though: here I use A and D to strafe around hammer-woman as she tires herself out, before dodging in with a doubletap of W and hacking about her neck and shoulders. Each hit sends the hapless creature pivoting about, unable to regain her balance to counter-attack. Eventually, she slumps to the ground. Booyah! Who’s got a low centre of gravity now, dickhead? Exanima, released in 2015 and originally backed on the crowd funding site KickStarter, is a rare beast indeed that has attracted a world wide cult following partly due to its unnervingly realistic physics based combat system but also because it is unlike anything you would have played before. On the face of it Exanima appears to be a standard dungeon crawler but take a closer look and there is a lot more than initially meets the eye. Set in a dark and original world this game has been turning heads since its release.

Unusual for a combat based game, the isometric perspective can take a while to get used to but it’s well worth your perseverance, and the isometric view which at first can feel like a hindrance actually allows you to pursue a higher level of tactics and strategy than a first person perspective might have done. The graphics are fairly good and certainly do the job but the world they depict is outstanding. It’s not the easiest game to master and the combat can, at first, seem counter intuitive, but once you get the hang of it the world you are drawn into is amazingly absorbing and you really do feel part of the action. The fully interactive surroundings and environment add an unusual dimension to this game; barrels, tables and everything else for that matter can be used to help defend yourself from a deadly attack and if you manoeuvre cleverly enough you can often defeat your opponents based almost solely on your foot work! The AIs are smart and hard to beat though and it will require skill to come out on top. The levels can seem exhausting and with health being in short supply throughout, you will feel like you have achieved something remarkable when you complete one. It’s worth noting, especially if this challenge sounds daunting.

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That the game has an excellent arena mode where you can practise your combat skills before you enter the labyrinth so you do have the opportunity to get your blade wet, so to speak, before you begin the game proper. The combat is based on real world physics, one of the game’s main selling points, so that means, for example, that if you begin your sword swing very near to the body of your opponent the damage will be minimal and you will also be out of position putting you in danger of receiving a thrusting stab in return. The controls are different from what you may be used to as well in that you can change the momentum of the weapon by moving your mouse; this will add or subtract from the damage your strike inflicts. The arsenal of weaponry in this game is quite impressive, and each weapon has different features which means that you can, if you wish, specialise on one weapon, the broad sword for instance, and really hone your skills in that area. Explore, fight, survive and unravel mysteries in this unique and unforgiving 3D isometric RPG set in an original dark, low fantasy world. Exanima’s exceptional attention to detail and realistic simulation of all things aim to provide a deeply immersive and dynamic gameplay experience.Hard Bullet

ADD ONS/PATCHES AND DLC’S: Exanima