Overkill’s The Walking Dead Free Download GAMESPACK.NET

Overkill’s The Walking Dead Free Download GAMESPACK.NET Overkill’s The Walking Dead is an earnest attempt to deliver a cooperative adventure set in the iconic Walking Dead universe, but that effort feels a bit like it’s all too little too late. While the creators of Payday 2 manage to deliver something better than Terminal Reality’s sorry attempt at a shooter in Robert Kirkman’s universe, it still fails to live up to the lofty expectations set by its lore. As a brand, The Walking Dead is enormous. The TV show and comic series that it’s based on tell stories of desperation and fighting for survival both against and along other humans after the end of the world. They’re stories about human lives and human struggles against a backdrop of the zombie apocalypse. Overkill’s The Walking Dead, on the other hand, is a game about seemingly mindless slaughter with very few plot threads connecting the dots. There is no drama, there are no personalities developed across missions, and there is no nuance to why you’re murdering people as readily as you do the walkers. It’s got very little to do with what makes The Walking Dead so great, which leads to a bit of an identity crisis. In Overkill’s The Walking Dead, you take control of one of four (eventually six total via unlocks) new characters, each with their own passive weapon specializations and unique skills. For example, Maya (my favorite) is the medic and her special ability is throwing down a med bag that can heal up anyone in your group. Aiden, on the other hand, gets flash bangs that can stun human enemies and distract zombie hordes.TOP/BEST ADULT VIDEO GAMES IN UNITED STATES OF AMERICA (USA)

Overkill’s The Walking Dead Free Download GAMESPACK.NET

All of the abilities gel well together, but most people online gravitate towards Maya for her added healing, or Aiden, since he starts out with a lot more health than the others as the “tank” character. Because this is a co-op game instead of a competitive one this isn’t an issue for balance, but seeing the same clones running around missions all the time does get a little silly. Each character is fun in their own way and, despite their specialties, anyone can use any weapon you find, giving them a useful flexibility. The difference, though, is that they won’t be able to apply any of their skill upgrades or passive bonuses to enhance a weapon outside their wheelhouse. For example, Maya specializes in submachine guns, revolvers, and machetes, but if you equip a shotgun, pistol, and baseball bat instead you wouldn’t be playing to her strengths. Luckily, loot is plentiful and you’re rewarded with new guns, modifications, and materials at the end of every mission, plus any hidden caches you find in the level. But beyond that, the differences between the characters are mostly stat-driven other than a single unique skill. There isn’t an assortment of special abilities to set them all apart such as you’d find in a game like Borderlands. The result is a progression system that’s deep with choices, but mostly shallow in terms of real changes you see over time. They’ve all got that gritty “I’ve seen some shit” look that anyone who knows zombie fiction is familiar with.

Disarm bear traps with a melee.

The vague attempt at establishing a story is at its best in the pre-rendered cinematics (released as trailers prior to launch and shown ever-so-briefly in-game,) but very little of that content is actually explored in this adventure beyond voiceovers on top of stylized, bloody images as pre-mission cutscenes. The result is an adventure that feels like you’re jumping into the story after it’s already started and you’re never given much context for anything that’s happening. The entire plot is basically just you fighting against a gang of other humans, called The Family, for no reason other than that they’re trying to survive, too. So you take turns killing and stealing from one another, and it ends up as an empty, meaningless, non-Walking Dead way of creating a rivalry. Especially when you’re mowing down almost as many of The Family as you are walkers, it doesn’t feel like great justification. I don’t like fast zombies. Call me a Romero purist or just a contrarian, but I’ve always found sprinting “rage virus” zombies to be less fun and less scary than the classic, rotting animated corpses. Overkill’s long-awaited co-op shooter, The Walking Dead, gets the awful horror of slow zombies just right. Everything great about the game comes from Overkill’s devotion to the source material and to zombie horror in general. Unfortunately, this rendition of The Walking Dead does a lot of things wrong and, for many reasons, isn’t worth your time or money right now.Cities Skylines

Overkill’s The Walking Dead Free Download GAMESPACK.NET

Overkill is pushing patches and fixes almost daily, but mission-breaking bugs and server communication problems are still wrecking the love I want to feel for this game. The greatest enemy in The Walking Dead—besides, you know, the walking dead—is noise. Nothing floods the streets with zombies faster than a loud bang or a jukebox firing up a Queen track. Every mission in The Walking Dead is a stealth mission, at least at the beginning. Structurally, this makes the game very similar to Overkill’s previous co-op shooters, Payday and Payday 2. In those games, heists start out quiet until an alarm gets triggered and the only way to get out alive is to go loud. The Walking Dead uses that same idea to great effect. Killing a few scattered zombies with baseball bats and machetes is easy enough, but eventually someone will make a noise. Whether it’s a gunshot, an explosion, or a car alarm, noise brings more zombies. If your team is sloppy, eventually the hoard will get too thick to fight at all, and the only thing left to do is run. Even though fighting off zombies is pretty simple, nearby zombies can grab anyone who gets too close. Shoving them off takes some time and drains some health, making victims more vulnerable to the next grasping hand. Being mobbed by more zombies can quickly overwhelm players, even those at full health. I love that, true to their lore, one zombie is an awkward dork but multiple zombies are a real threat. It’s too bad that killing zombies with melee weapons is so important, though, because the melee weapons aren’t much fun to use.

Break individual bottles on a sound trap to negate the tripwire.

There are machetes, baseball bats, and pickaxes, but they all feel clunky, and more or less the same. Fighting off large hoards becomes repetitive drudgery despite the very satisfying wooden tunk sound I get from smacking a zombie right in the skull. The story behind the missions will be extremely familiar to any fan of The Walking Dead TV show or comics. Your band of survivors is struggling to find food when they run up against another band of survivors, and soon the violence becomes an extended metaphor for the animal nature within us all, as it so often does in these stories. Between games, players can upgrade their camp or send NPC survivors out on missions. Successful NPCs working at camp give players in-game stat bonuses or supplies. Sending out survivors was novel at first, but the entire meta-game of upgrading and repairing camp doesn’t add much to the fun and is underdeveloped. I found the chance to upgrade and repair weapons much more interesting and successful. New weapons and accessories can be found throughout most levels, and finding a new shotgun or a scope is a nice reward. Even better, weapons found on maps are physical bundles that have to be carried out of levels, which makes for some tense moments or last-second heroics when one player dives into the hoard to snag the gun bag.WRC Generations The FIA WRC Official Game Switch

Overkill’s The Walking Dead Free Download GAMESPACK.NET

Despite appearances and obvious inspirations, Overkill’s The Walking Dead often doesn’t feel like a shooter at all. It takes the rules established by Robert Kirkman’s comic series and its subsequent TV adaptation to heart in the wrong ways, imposing unbalanced rules on its missions that heavily restrict how you’re able to play. Combined with a dizzying assortment of survival mechanics buried in unintuitive menus, meaningless customization options, and non-existent incentives to improve your gear, The Walking Dead feels unrefined and unfocused. This iteration of The Walking Dead features a new cast of characters and little to no ties to the rest of the series’ mythos. It’s set in the heart of Washington D.C. as you establish a camp and attempt to survive as one of four playable characters. These characters are borderline lifeless, with no real stories of their own aside from previously released promotional material. Nothing about their personalities materializes through the game’s story, and neither do stories between survivors within your own camp. The Walking Dead forces you to engage with your camp and its inhabitants between missions but gives you absolutely nothing to do or say to them, which makes it a struggle to care about their fates at all. The overarching story is equally thin on details, with only slideshow animations and voiceovers providing context for each of your missions. The voice acting is monotone and dreary.

Gameplay.

The writing vague and uninteresting, merely existing only to give veiled purpose to the missions they precede without weaving a captivating story through them. Overkill plans to add more story content in the form of seasons, but its heartless premiere doesn’t instill much confidence for where this story might go in the future. In action, The Walking Dead presents itself as a first-person shooter, with the familiar trappings of cooperative play that games like Left 4 Dead and Payday successfully capture. But even though you might be equipped with two firearms and a melee weapon, The Walking Dead only encourages the use of the latter. Each main mission bears a meter that fills up whenever you make noise. Firing a weapon, triggering one of the many near-impossible-to-see traps, and even unavoidable enemy actions all contribute to this, and eventually summons waves of undead enemies towards you without reprieve. The strength and scale of these waves is determined by one of three tiers that the meter bears, with each tier pushing you further towards insurmountable odds of failure. In fact, simply hitting the first tier makes most missions too difficult to continue, as the constantly spawning enemies can clutter the narrow linear walkways of most mission areas to the point of comedy. It’s not uncommon to see doorways entirely blocked by hundreds of enemies, forcing you and your team to mindlessly chip away at the crowd only to have the same issue arise at the next chokepoint.

It’s wildly unbalanced and overly punishing, making most missions tediously long and frustrating. Missions are diluted into more stealthy affairs as a result, which can be mildly entertaining when you’re working closely with teammates. As part of a well-organized team you can keep noise to a minimum and circumvent enemies entirely, but it usually only takes one player not sticking to the script to ruin a run. Making matters worse, there’s no support for voice chat in-game nor any other ways to communicate aside from text chat. To its credit, Overkill’s The Walking Dead fits an impressive number of zombies on screen at times, and that amps up the stress and intensity. In games like Dead Rising, I rarely fear for my life because of how easy it is to mow down groups, but that’s not the case here. If you get too close to a walker they can easily grab you – and if more than one gang up on you when you’re grabbed then you can quickly go down and need a revival. I was never able to clearly tell how close a zombie needed to get in order to initiate a takedown on me, but it always happened at the most frustrating times. The way the camera is ripped from your control in these moments make it all a bit nauseating as well.

Overkill’s The Walking Dead Free Download GAMESPACK.NET

In reality, you’ll actually spend the vast majority of your time desperately trying not to fire a single bullet. Melee combat is a huge focus because of how Overkill’s The Walking Dead handles noise, so it’s a shame it never evolves much beyond left-click to swing and right-click to shove.  The driving force behind playing more is that you’re always trying to keep your camp morale up. Every time you successfully run a mission you gain supplies like provisions and scraps, and every few days your camp resets and uses up some of your resources to keep survivors happy. That means you need to have enough resources in stock at the next reset to avoid downgrading morale – because if morale gets low you suffer penalties, and if morale is high you get bonuses. The problem with this system is that it’s extremely menu-heavy and poorly explained. There are some tutorials hidden in the Settings menu, but you shouldn’t have to dig through sub-menus to figure out how to play a game. Overkill’s The Walking Dead does an exceedingly poor job of explaining itself. In addition to the supplies you can also upgrade your camp to unlock passive bonuses, new areas of the map, or even to send your pool of survivors out on missions off-screen to round up supplies. It’s a simple base-management system that helps break up the action, but it’s so disorganized and poorly explained it felt like more of a nuisance than anything.Paper Cut Mansion Switch NSP

ADD ONS/PATCHES AND DLC’S: Overkill’s The Walking Dead